Viola Davis

Affleck’s directing strikes the perfect balance between humor and heart; Robert Richardson’s cinematography is dynamic and engaging; and the production design brilliantly embodies 1980s nostalgia.

While some economic success can be found in favoring the rich, the maintained application of dynamic pricing will continue to drive away the very people who have inspired their stories.

However, most glaringly, anytime “The Suicide Squad” approaches the illusion of being good, its pacing and penchant for trumpeting its star-studded cast distract from its mission.

Here are our predictions for which nominees will go home (or, in this case, stay home) with a golden statue.

Adorned with gold teeth and draped in unwavering confidence, Davis emulates the strong musician and businesswoman that Rainey was with full assurance.

“How to Get Away with Murder” now digs into its characters’ pasts to pinpoint the experiences that made them who they are.

Last week’s “Grey’s Anatomy” caught up on several of the doctors’ relationships, while "HTGAWM" brought its characters some unfortunate news.

In the aftermath of last week’s crossovers the doctors and lawyers of “Grey’s Anatomy” and “How to Get Away with Murder” were left in states of disarray.

Last month, both “Grey’s Anatomy” and “How to Get Away with Murder” aired yet another set of midseason finales. This week, they’ve returned with crossovers.

"Grey's Anatomy" made space for conversations about mental health and intersectional experiences within professional environments.