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BERKELEY'S NEWS • SEPTEMBER 21, 2023

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Although the moments of sun and music live in my memory fondly, I hope to celebrate these fleeting human connections during my trip back.
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Although the moments of sun and music live in my memory fondly, I hope to celebrate these fleeting human connections during my trip back.
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Crowd surfing has been around for almost 50 years in the communities of any edgy genre you can think of — rock, punk, metal, ska, post-hardcore and the like. If you’ve ever been toward the front of the crowd at one of those concerts, you’ve probably been kicked in the head by more than a few pairs of Dr. Martens.
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Crowd surfing has been around for almost 50 years in the communities of any edgy genre you can think of — rock, punk, metal, ska, post-hardcore and the like. If you’ve ever been toward the front of the crowd at one of those concerts, you’ve probably been kicked in the head by more than a few pairs of Dr. Martens.
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Following, even perhaps overshadowing, the long thread of issues with “Miss Saigon” is its appraisals — the dazzling show tunes and choreography, sumptuous stage design and the undeniable technical feat of the production.
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Following, even perhaps overshadowing, the long thread of issues with “Miss Saigon” is its appraisals — the dazzling show tunes and choreography, sumptuous stage design and the undeniable technical feat of the production.
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The play, which first premiered in the U.K. in 2013 before spreading to Broadway in 2017 and then BareStage this past weekend, progressed in much the same way, attempting to adapt the book as closely as possible for the stage.
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The play, which first premiered in the U.K. in 2013 before spreading to Broadway in 2017 and then BareStage this past weekend, progressed in much the same way, attempting to adapt the book as closely as possible for the stage.
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They didn’t care about learning where I was from. They wanted to hear about palm trees and beaches.
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They didn’t care about learning where I was from. They wanted to hear about palm trees and beaches.
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The rising musk of too many warmed-up bodies bopping to ultra-dance-y bass beats was the textbook sort of feel-good, midweek redemption that British synth-pop band Years & Years delivered.
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The rising musk of too many warmed-up bodies bopping to ultra-dance-y bass beats was the textbook sort of feel-good, midweek redemption that British synth-pop band Years & Years delivered.
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