SF

At Bill Graham, all variety of pick-me paragons in their spookiest finery were stunned by the artist’s range, especially during a tweaked rendition of fan favorite “Hillside Boys.” 

More piano-driven than its studio counterpart, the opener showcased his musical versatility and art school background. Fingers flying adeptly across black and ivory keys, Gordon played with the prowess of a virtuoso. 

Intertwined with these Chinese traditions,  “Rhapsody in Blue'' took on new meaning as it transitioned masterfully between the sounds of San Francisco and New York.

During other moments, Laufey’s dazzling instrumental capabilities mesmerized the concertgoers into a spellbinding silence. Showcasing her soaring range throughout the nearly 90-minute set, the singer-songwriter played the guitar, cello and piano. 

At Portola’s Pier stage, Sawayama embraced the most extravagant of her discography: “Comme Des Garçons (Like The Boys),” “STFU!” and “Dynasty” were key tracks on her rotation.

Chris Lake and Armand Van Helden stuck to their guns. The duo, Portola’s special guests, spent an hour and a half trading tracks on the Warehouse stage without giving up on the hallmarks of their music. 

Portola, which ran Sept. 30 and Oct. 1 at San Francisco’s Pier 80, gives special attention to acts that can’t be enjoyed at home.

With every punctuated flourish, Turner proved his status beyond a performer — he’s an extravagant showman through and through.

Brimming with magic in every sense of the word, Broadway SF’s “Aladdin” was a testament to the power of storytelling and imagination.

Located in the historic Golden Gate Park, the San Francisco-based sonic celebration brought a lush lineup to celebrate its 15th anniversary, with artists ranging from prophetic rappers to Americana alt-pop stars to renowned rock bands.