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BERKELEY'S NEWS • NOVEMBER 20, 2023

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SF

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At Bill Graham, all variety of pick-me paragons in their spookiest finery were stunned by the artist’s range, especially during a tweaked rendition of fan favorite “Hillside Boys.” 
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At Bill Graham, all variety of pick-me paragons in their spookiest finery were stunned by the artist’s range, especially during a tweaked rendition of fan favorite “Hillside Boys.” 
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More piano-driven than its studio counterpart, the opener showcased his musical versatility and art school background. Fingers flying adeptly across black and ivory keys, Gordon played with the prowess of a virtuoso. 
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More piano-driven than its studio counterpart, the opener showcased his musical versatility and art school background. Fingers flying adeptly across black and ivory keys, Gordon played with the prowess of a virtuoso. 
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Intertwined with these Chinese traditions,  “Rhapsody in Blue'' took on new meaning as it transitioned masterfully between the sounds of San Francisco and New York.
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Intertwined with these Chinese traditions,  “Rhapsody in Blue'' took on new meaning as it transitioned masterfully between the sounds of San Francisco and New York.
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During other moments, Laufey’s dazzling instrumental capabilities mesmerized the concertgoers into a spellbinding silence. Showcasing her soaring range throughout the nearly 90-minute set, the singer-songwriter played the guitar, cello and piano. 
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During other moments, Laufey’s dazzling instrumental capabilities mesmerized the concertgoers into a spellbinding silence. Showcasing her soaring range throughout the nearly 90-minute set, the singer-songwriter played the guitar, cello and piano. 
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At Portola’s Pier stage, Sawayama embraced the most extravagant of her discography: “Comme Des Garçons (Like The Boys),” “STFU!” and “Dynasty” were key tracks on her rotation.
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At Portola’s Pier stage, Sawayama embraced the most extravagant of her discography: “Comme Des Garçons (Like The Boys),” “STFU!” and “Dynasty” were key tracks on her rotation.
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Chris Lake and Armand Van Helden stuck to their guns. The duo, Portola’s special guests, spent an hour and a half trading tracks on the Warehouse stage without giving up on the hallmarks of their music. 
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Chris Lake and Armand Van Helden stuck to their guns. The duo, Portola’s special guests, spent an hour and a half trading tracks on the Warehouse stage without giving up on the hallmarks of their music. 
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Portola, which ran Sept. 30 and Oct. 1 at San Francisco’s Pier 80, gives special attention to acts that can’t be enjoyed at home.
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Portola, which ran Sept. 30 and Oct. 1 at San Francisco’s Pier 80, gives special attention to acts that can’t be enjoyed at home.
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With every punctuated flourish, Turner proved his status beyond a performer — he’s an extravagant showman through and through.
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With every punctuated flourish, Turner proved his status beyond a performer — he’s an extravagant showman through and through.
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Brimming with magic in every sense of the word, Broadway SF’s “Aladdin” was a testament to the power of storytelling and imagination.
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Brimming with magic in every sense of the word, Broadway SF’s “Aladdin” was a testament to the power of storytelling and imagination.
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Located in the historic Golden Gate Park, the San Francisco-based sonic celebration brought a lush lineup to celebrate its 15th anniversary, with artists ranging from prophetic rappers to Americana alt-pop stars to renowned rock bands.
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Located in the historic Golden Gate Park, the San Francisco-based sonic celebration brought a lush lineup to celebrate its 15th anniversary, with artists ranging from prophetic rappers to Americana alt-pop stars to renowned rock bands.
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