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BERKELEY'S NEWS • NOVEMBER 22, 2023

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Offering a compelling reflection of what love is and can be, Berkeley TDPS’ “Wintertime” was as dazzling as gazing up at falling snowflakes.
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Offering a compelling reflection of what love is and can be, Berkeley TDPS’ “Wintertime” was as dazzling as gazing up at falling snowflakes.
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Ollie: No pronouns. I can't say Y-O-U. X: No, no referencing of me in any form. 
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Ollie: No pronouns. I can't say Y-O-U. X: No, no referencing of me in any form. 
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No! Don’t look at the sun! That is the trick, remember?
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No! Don’t look at the sun! That is the trick, remember?
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San Francisco Playhouse’s “Cashed Out” spins a bold, blistering tale of resilience — one intent on dissecting the harmful rippling effects of addiction in the home.
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San Francisco Playhouse’s “Cashed Out” spins a bold, blistering tale of resilience — one intent on dissecting the harmful rippling effects of addiction in the home.
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This one-man production melds journalistic theater with comedy to analyze the sociopolitical impact of markers of division on individuals and communities.
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This one-man production melds journalistic theater with comedy to analyze the sociopolitical impact of markers of division on individuals and communities.
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“The Great Leap” takes place on a set that doesn’t change with only four actors moving about the space. Though it makes minimal use of props, the play never stopped being captivating and exciting.
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“The Great Leap” takes place on a set that doesn’t change with only four actors moving about the space. Though it makes minimal use of props, the play never stopped being captivating and exciting.
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Context means everything when it comes to cross-cultural representation. Without context, the beauty and intention of art is lost; the artist is forgotten.
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Context means everything when it comes to cross-cultural representation. Without context, the beauty and intention of art is lost; the artist is forgotten.
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Odcikin is an advocate for rehearsals being spaces for the very conversations that the play hopes to inspire among audience members.
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Odcikin is an advocate for rehearsals being spaces for the very conversations that the play hopes to inspire among audience members.
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