Peter Pan

Polo & Pan is all about transporting listeners — onto beaches, into Paris, back to the past and into the future. Their sound is an amalgamation of sounds from around the world, fettered with and distorted until it transforms into World music electronica. 

While the fusion of these iconic characters brims with potential, “Come Away” presents a rather grim fairy tale.

Besides the visual brilliance and its performances, “Wendy” largely misses the mark.

“We were looking for kids who were really living their childhoods to the fullest. … I think our band of Lost Boys, in a way, truly felt accurate,” Zeitlin said.

Written by Sang Kim and directed by Claire Rice, the play features iconic characters such as Peter Pan, Wendy, Captain Hook and Tinkerbell. Each makes memorable appearances throughout the performance, which is filled with confessions of love, hilarious flashbacks and unexpected guests.

A brief skim reveals acting, directing and playwriting credits, along with not one, but three forms of stage combat. And with “Every Day Alice,” a new play written by Kobori and produced by the company she founded, Utopia Theatre Project, Kobori shows no signs of slowing down.

Hicks’ foray onto the defensive side of the ball began with a stint at outside linebacker, but in eighth grade, he got his first taste of cornerback, and it was an immediate fit.

NASIR rings hollow, and fails to capture the innovator’s spirit that cemented Nas as one of the foremost storytellers of the 1990s.

But, for all our effort, these voices have refused to be silenced. They have always been creating, demanding that we pay them the attention they are owed.

The “Boulevard of Broken Dreams” is hardly a lonely road if you’re walking it in a venue designed to host more than 60,000 people.