Get Out

In “About My Father,” comedian Sebastian Maniscalco casts the patron saint of Italian Americans, Robert De Niro, as his own father — because when you’re a relatively unknown comedian repackaging your already mediocre standup material as a movie, you desperately need something to sell the tickets.

"Nope" is an imaginative sci-fi that dips in and out of the Western, layering the grit of a family way out west with the extraterrestrial, the impossible.

It’s not so much that the film’s points are vague as it is that they lack direction.

Horror movies are experiencing a renaissance right now. Like me, you might've wanted to see them and participate in the discourse but were too scared.

In an era of one Netflix production after another, “The Binding” is, well, just another. Nothing about director Domenico Emanuele de Feudis’ Netflix debut screams extraordinary.

One of many steps non-Black allies are taking to dislodge an indoctrinated white perspective is to infuse their watchlists with media that confronts racism and the realities of Black people in America.

It’s time for the Oscars to dispense with the waiting, and instead award the year’s brightest performances the first time around.

Here are five things about UC Berkeley that‘ll have the Tethered thinking twice about attempting to step foot on campus grounds.

One thing’s certain: Whether or not it’s the year’s best film, it’s sure to be the year’s most daring, sophisticated and terrifying.

If your film is a commercial film, it has to reinvent its genre of choice, be constantly talked about by the press and audiences and/or have a hefty studio campaign budget standing behind it to even stand a chance at getting nominated. And then you’ll still lose to stuff such as “The Shape of Water.”