David Fincher

As one of few sapphic films that are shamelessly sexual, “Bottoms” certainly empowers.

And as for the academy, the wins for “Mank” are a sign that the body still maintains a deep-seated aversion to change.

“Mank” succeeds because — like most Fincher films — it always stays attuned to the throughline of its characters’ destructive obsession, using all its stellar audiovisual elements to complement its hefty themes.

“I’m Thinking of Ending Things” dazzles and dizzies even its most attentive viewer; the film is a psychological feast boasting richly clever construction and riveting performances.

Considering that many of us are now at home, starting our own lists of rewatches and first-time discoveries, what better way to pass the time than to marathon some of the director’s signature dark, gritty and suspenseful films?

Season two of "Mindhunter" matches the horrors of season one while also stretching its narrative focus in new and interesting ways. 

Growing up is about falling deeply, passionately in love with a dream and then changing your mind about it a year later. You’re ever-evolving.

In many ways, the 2010s have been the decade of change in Hollywood, both in creation and consumption.