Coachella

In a universe as vast as ours, Boygenius has the uncanny ability to hone in on the ubiquity of it all. The Rest is a worthy follow-up to The Record — each track a radiant star in the indie macrocosm.

Portola, which ran Sept. 30 and Oct. 1 at San Francisco’s Pier 80, gives special attention to acts that can’t be enjoyed at home.

Fike’s second studio album promises to highlight his musical metamorphosis, and “Mama’s Boy” is the perfect sneak peek of all it’ll have to offer.

When Destroy Boys come up with an idea, they run with it. They start with a serious thought before twisting it into a joke, imagining it through every possible metaphor and carrying it up and down the ladder of abstraction. 

Following Eylanna's Coachella set, the Palestinian-Chilean artist sat down with The Daily Californian to discuss her artistry and blossoming career.

From April 21 to 23, head arts editor Lauren Harvey made her way to Indio to experience the famous festival in all its sticky, sundry fun. Here are her highlights from Coachella 2023.

For Lewis, there won’t ever be a time that a four-four kick drop won’t make people want to move: “Like it's such an undeniable part of human nature to want to go and dance.” He’s not wrong. 

Brockhampton’s penultimate album is the culmination of 12 years of friendship, grief and glory, laying out in experimental hip hop the devastating consequences of fame on art.

It's unclear whether Beyoncé follows the culture or the culture follows her, but either way, she remains its ultimate barometer.