BROCKHAMPTON

It’s a compilation of grungy, guitar-heavy anthems balanced with softer, pop-adjacent confessionals. Every track would fit perfectly in the soundtrack of a 2000s teen movie, particularly in the scene where the misunderstood bad boy finally shows emotion.

“Modern” does not need to mean “of the present moment.” In art, modern can simply refer to trying something new, reaching alone toward a vague idea of the future. Certain albums will always be modern, and Lahai is one of them.

Brockhampton’s penultimate album is the culmination of 12 years of friendship, grief and glory, laying out in experimental hip hop the devastating consequences of fame on art.

On the group’s new LP Roadrunner: New Light, New Machine, the daring hip-hop collective are reunited once more, searching for hope in the face of darkness and personal tragedy.

Topping charts and stealing hearts one song at a time, boy bands have steadily carved out their niche in pop culture by defining our adolescent soundtracks.

From Billie Eilish to Lizzo, Lil Nas X to Lana Del Rey, this year’s musical titans have delivered at every turn, continuing to stun audiences with their talent and creativity.

Would you look at that! It's already our next three-day break: Veterans Day weekend. We recommend you take this opportunity to get the heck out of Berkeley.

Whether you’re a student, professor or faculty member, we’ve all heard the sweet sounds of Cal Band both on and off of campus.

Dominic Fike has a wondrously cohesive brand as an artist: uncategorizable.