Bob Odenkirk

While “Better Call Saul” may share an Old Testament-influenced examination of morality and reckoning with its predecessor “Breaking Bad,” as the former’s series finale “Saul Gone,” suggests, just because Jimmy has molded himself into Saul doesn’t mean he has lost the capacity to catch up with who he could be.

If Naishuller's first feature, “Hardcore Henry,” fell short for its ambition, “Nobody” does so for its lack thereof.

“I didn’t need to do an action movie just to do it,” Odenkirk said in a roundtable interview with The Daily Californian. “I wanted the full experience."

Here are our predictions for which nominees will go home (or, in this case, stay home) with a golden statue.

With Taylor-Joy’s gazing eyes and sharp wits pounding through the screen, the audience is transported to the front row of her countless intense chess matches. If you ever thought chess was boring, “The Queen’s Gambit” will surely convince you otherwise.

If there is one snub of this year’s Emmys season that is completely inexplicable, it’s the lack of nomination for Rhea Seehorn for her portrayal of Kim Wexler on “Better Call Saul.” 

As we not-so-patiently wait for the show’s final season, here’s a playlist to remind us of how much we love “Better Call Saul.”

Whether on our laptops or in our living rooms, television has always been a space of escape, in which our ideologies are reflected back to us.

The Emmy Awards, much like their film, theater and music counterparts, are annually greeted with both excited buzz and exhausted indifference.