Theater

A play about love, trauma and politics, “Sanctuary City” is, above all, a story about humanity.

The collective outcome of a multitude of ambitious experiments by Backhaus, “Wives” comes out both clouded and visionary.

Flaws aside, “The Prom” is a bold and celebratory production with its intentions in all the right places.

For Strauss, laughter and the human connection it cultivates are fundamental to his creative projects.

A distinctive retelling of the ancient Greek myth of Orpheus and Eurydice, “Hadestown” unites a crew of mythological figures to tell a timeless tale of love amid a backdrop of timely political concerns.

After only two rehearsals and mere weeks of planning, the Actors Ensemble of Berkeley's limited preparation made the show’s poignancy all the more impressive.

Creating an enjoyable, laugh-along adventure, “The Pajama Game” accomplishes exactly what it sets out to: an easy-watching comedy experience.

The siblings explained their philosophy behind updating the show as well as the creative paths leading them to their latest project.

Marking strong progress with room for further growth, “Monument” is a worthwhile project that commendably aims to elevate silenced voices and narratives.

On the evening of May 27, the Berkeley Repertory Theatre transformed into the E. Goostman Faith Center, complete with green carpeted floors, stained glass windows and old stereos playing mid-century tunes.