A&E

Seamlessly weaving movement with sound, poetry and projections, the multimedia experience—a restaging of the 2017 site-specific production by the Lenora Lee Dance Company—follows nine Chinese immigrants through their time at the Angel Island Immigration Station.

“The Haight-Ashbury Experience and the Pursuit of Happiness: The Photography of Herb Greene” is a perfect time capsule, stills from '60s San Francisco preserved in time.

At the Gateway Theatre in San Francisco, Cole Porter’s award-winning musical “Anything Goes,” delights with a lively performance, brimming with heart and bursting with energy.

On Bless This Mess, Remy explores ’80s synths, Talking Heads-esque art funk and Prince’s rhythm and blues to attain hi-fi heights — this cocktail of popular yesteryear genres ushering in Remy’s sometimes synthetic-feeling optimism.

In foggy San Francisco, where we lay our scene, romance is not dead, but it’s much darker.

Sometimes Good Riddance draws too heavily upon its influences, but it nevertheless remains singular in sound and ambition — both of which are touching and impactful throughout.

Premiering March 2 at San Francisco’s Presidio Theater, the play intertwines the shadow puppetry of ShadowLight Productions and the invented instruments of Paul Dresher Ensemble.

Distinctly invested in the intricacies of generational memory, the American Conservatory Theater’s “The Headlands” is an alluring, hilarious and ever-tangled take on the Asian American experience.

Released Feb. 17, “Heaven” transports listeners to a dreamy, glorious state of utter joy.

Born out of Indigenous American and African textiles, the Gee’s Bend quilts have come to represent the fortitude of African American culture.