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BERKELEY'S NEWS • MARCH 25, 2023

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Singles

Page 5 of 9

After recovering from a vocal cord injury that almost left her voice permanently damaged, SZA is finally back.
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After recovering from a vocal cord injury that almost left her voice permanently damaged, SZA is finally back.
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“Cyr” and “The Colour of Love” are total duds. These are empty shells of songs, loud enough to be mistaken for having signs of life, lame enough to be mistaken for self-serious parody.
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“Cyr” and “The Colour of Love” are total duds. These are empty shells of songs, loud enough to be mistaken for having signs of life, lame enough to be mistaken for self-serious parody.
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When Kali Uchis and Rico Nasty bring out their stiletto heels and brass knuckles for a music video, you already know the song means business. 
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When Kali Uchis and Rico Nasty bring out their stiletto heels and brass knuckles for a music video, you already know the song means business. 
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Written a month into quarantine, “My Future” is a sincere self-reflection and oneiric statement of growth.
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Written a month into quarantine, “My Future” is a sincere self-reflection and oneiric statement of growth.
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Both “America” and “My Rajneesh” feel very much like the culmination of Stevens’ niche artistry.
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Both “America” and “My Rajneesh” feel very much like the culmination of Stevens’ niche artistry.
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The single is the latest iteration of faith to the group’s recognizable brand of psychedelic pop, and yet it offers a newfound integrity.
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The single is the latest iteration of faith to the group’s recognizable brand of psychedelic pop, and yet it offers a newfound integrity.
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“Good Eye,” to say the least, is a feel-good and catchy track.
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“Good Eye,” to say the least, is a feel-good and catchy track.
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The track is feel-good in every sense of the word, resembling disco in its funk-happy rhythm and playful content.
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The track is feel-good in every sense of the word, resembling disco in its funk-happy rhythm and playful content.
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Even though he says “There’s some people who gon’ need this,” it seems like Pillsbury himself may be the only one really needing this song to exist.
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Even though he says “There’s some people who gon’ need this,” it seems like Pillsbury himself may be the only one really needing this song to exist.
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The song’s subject matter, combined with Oberst’s monotone delivery, creates a sense of claustrophobia and despair.
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The song’s subject matter, combined with Oberst’s monotone delivery, creates a sense of claustrophobia and despair.
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