Singles

It latches onto an optimized aesthetic that makes it conducive to dancing clad in a sweaty, sequin mini dress one minute — the next sobbing in the corner. 

She uses this song as a chance to account for any unintentional harm that her decisions have caused her son and beg him to try to see her perspective.

Yachty’s ambitiousness gives the tune another life — ultimately, it’s a breath of fresh air. 

“Working for the Knife” may be short and bittersweet, but it leaves a lasting impression, a delicate sadness that washes over you for more than just a fleeting moment.

BTS’ and Coldplay’s willingness to exchange ideas and try new things is what makes the song succeed.

With lyrics that are sometimes nonsensical, “Guerrilla” and “Sexy Villain” prioritize fun and levity over deep, profound storytelling.

Bridgers’ unvarnished and intimate songwriting style plays nicely with the MUNA’s persistent optimism, intermingling to produce a track awash with rose-tinted comfort.

“Good Ones” is liquid epinephrine: It’s unrestrained and effortlessly danceable, yet it still retains an element of emotional intelligence and clarity.

While the track does steadily improve throughout its runtime, “Don’t Go Yet” as a whole struggles to escape the dullness of Romance, her sophomore album.

The single sounds like quintessential Maiden but is dampened due to the amalgamation of conflicting genres failing to work together.