Album Reviews

“Open” has so little meat that it feels strange to review, not because the music is particularly revealing or vulnerable, but because the songs sound so unfinished.

Monáe’s ability to craft miniature, self-contained worlds is a testament to their miles-high vision and finger on the pulse of the future. 

The band clearly have organs on the brain, but their lyrical form is surprisingly comforting.

With The Show’s cohesion and predominant theme, Horan takes advantage of his productional intelligence to fabricate a limited-run “show” into the blissful stages of his love life.

Trusting her capable voice, Parks reemerges with a uniquely human album; sharpened by exquisite care, her “soft machine” hits home hard.

Listeners can finally graduate from Ed Sheeran’s 12-year math class after the release of the singer’s sixth studio album, – (Subtract).

Instead of B-sides, the EP should claim the title of an artifact; it illuminates the hidden chronicles behind Beach House’s veil.

On its newest record First Two Pages of Frankenstein, The National writes a reflective narrative, using songs as snapshots through a journey of suffering with anxiety and depression.

Tiësto brings the club to listeners’ homes with his latest album, Drive.