Stella Occhialini

Thus, “The Founding of the World” becomes a beacon into themes of masculinity, intimacy and identity, simultaneously permitting speculation into the private with the purpose of demystifying unspoken violence.

Just as Kenneth Tam explores adolescent spaces, his art could be considered in a similar pubertic realm. The artist is at a liminal threshold — finding his voice and fine-tuning his craft by way of a playful curiosity through varying mediums.

Harold’s soul is a building block of Berkeley. It’s even published among us at The Daily Californian. Adler recalls, “I shot for the Daily Cal a really long time ago, like in the ‘90s or something like ‘71.” It might make one wonder, what spaces does one’s soul find refuge in?

Can digestible media enable environmental action? The Green Film Festival is game for experimentation.

Many are cautious when covering songs, constantly dancing the line between theft and inspiration. But Flume isn’t scared of a little tight roping. He performed  “Higher” by Ta-Ku and “Tennis Courts” by Lorde, airing more on the side of loose inspiration.

Despite the band's lack of flare, Pixie-heads still went home that night in a haze of punky sublimation wondering, “Where is my mind?”

Roze is the master of fusion, and this isn’t just limited to her blend of spirituality and tattoo art. She doesn’t bend to fit tattooing; she makes tattooing an extension of herself.

Maya Angelou once said, “ I suggest that the great art belongs to all people, all the time — that indeed it is made for the people, by the people, to the people.”