Ryan Garay

To call “EDEN” simply a rendition of DiDonato’s own album is imprecise — this is because, among other things, “EDEN” is an experience of creation, education and music, culminating into a performance that transcends both time and place.

Del Rey’s ninth studio album is one to look forward to, and “Ocean Blvd” is a satisfying treat to have on repeat until then.

More and more, American audiences appear willing to listen to the work of Spanish-speaking artists without the appended English-speaking popstar.

What do buttons, jumpsuits and flyers have in common? At San Francisco’s Letterform Archive, the answer is plain and simple: protest.

In sprawling moments of quiet agony, Lila Neugebauer’s “Causeway” finds its most valuable state of being: intimacy.

The series opens with the fire and fury one might expect from a show with “dragon” in its title, yet it grows into something wildly unpredictable. It is, in many ways, one of the most triumphant debut seasons of a television program in recent memory. 

The show’s well-made and thoughtful script offers much to enjoy in the series’ first half, despite it often being bogged down by poor visual presentations. 

“The Nicole Tour” is a mouthpiece for her generation, and NIKI gladly and beautifully shared her voice with fans at The Regency Ballroom.

As the titular Ms. Marvel, Khan shines as a brand-new heroine struggling to navigate maturity, just as her creators are doing the same.