Nathalie Grogan

Bay Area author William Brewer’s debut novel “The Red Arrow” is the raw, tumultuous and gripping journey of a man plagued by suicidal depression and self deprecation who finds hope and healing in psychedelic mushroom treatment.

This one-man production melds journalistic theater with comedy to analyze the sociopolitical impact of markers of division on individuals and communities.

His critiques of Western systems and institutions offer vast opportunities for critical thinking, self-reflection and active engagement.

“Color into Line” brims with inspiration and exceptional talent, filled with a variety of techniques, subjects, and historical moments.

Although the album is characteristically outlandish in its vocal ranges, Punk offers a raw vulnerability that Young Thug has not revealed before.

Moving into the main gallery, Singhal’s poignant use of color, expressive brushstrokes and deeply impactful conceptions flood the space.

In contemplation of materiality and excess, explored through a multimedia use of packaging materials, the artists’ exhibition, titled “Everything and More: Padding Ourselves from the Materiality of Excess” drew to a close on Thursday evening at Dream Farm Commons in Downtown Oakland. 

Leer’s performance brings Douglass’ narrative to life and adds new depth to this American classic.

Much like 2020, the storyline has no singular beginning, end or objective. Rather, each scene speaks to a different aspect of the universal 2020 experience.

The exceptional abilities of this drama’s cast are what truly bring “The Bluest Eye” to life.