Francesca Hodges

“I still try to stick to my roots and try to stick to those foundational aspects and foundational quirks that brought people to me in the first place,” Conradi said. 

“Bridgerton” exemplifies the escapism of period dramas but fails in pivotal moments to crescendo to a greater climax.

These weekly written confessions gave me the opportunity to complete the task set by the liminal space: to deep dive into my internal archive and attempt to make sense of it all.

As the space outside my apartment turns to darkness, it’s as if my own reality turns Burton-esque, with my cheeks going hollow and skin growing ghastly. 

It’s easier to find comfort in the stories of elderly people who isolate themselves far from their own reality, who talk to cats and hole themselves up to write their next epic novel. 

I myself never experienced growing pains as seen on screen, and not just because I’ve stayed the same height since the eighth grade.

While TikTok welcomed Bastakoti with open arms and a ready, well-deserved fanbase, the artist is now taking a slight step back from the cyber community.

In the most cliche of ways, I stumbled upon my mum’s film camera in the corner of a closet, tucked among files of old bank statements and dust-covered boxes of memoirs.

Artists such as Phoebe Bridgers, Brittany Howard and Angel Olsen came together Oct. 25 in the laudable cause of raising money for Planned Parenthood and the sexual and reproductive health care it provides. 

To yearn allows oneself the time to slow down, to sit in silence and consider, even wallow, in the weight of our emotions.