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BERKELEY'S NEWS • NOVEMBER 18, 2023

Emma Murphree

Senior Staff

Page 1 of 9

Nearly coinciding with the glitzy and illustrious New York Film Festival, MVFF is like its equally cool younger sister. She deserves attention, too!
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Nearly coinciding with the glitzy and illustrious New York Film Festival, MVFF is like its equally cool younger sister. She deserves attention, too!
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There is a richness to Priscilla’s (Cailee Spaeny) life that the movie assumes as a baseline, despite the fact that it’s all internally contained. Deprived of the life experiences that might form this inner life into something concrete, it needs to be coaxed out filmically.
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There is a richness to Priscilla’s (Cailee Spaeny) life that the movie assumes as a baseline, despite the fact that it’s all internally contained. Deprived of the life experiences that might form this inner life into something concrete, it needs to be coaxed out filmically.
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If we are perennially doomed to live in a world where art is advertising and advertising is art, one the best possible outcomes would be a collaboration between Yves Saint Laurent and Pedro Almodóvar. “Strange Way of Life” sets out to scratch this incredibly niche itch — but can’t quite reach all the way.
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If we are perennially doomed to live in a world where art is advertising and advertising is art, one the best possible outcomes would be a collaboration between Yves Saint Laurent and Pedro Almodóvar. “Strange Way of Life” sets out to scratch this incredibly niche itch — but can’t quite reach all the way.
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It's a nostalgia record, a cheapened, easy kind of art — but also more forgivable if you’re a rock veteran.
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It's a nostalgia record, a cheapened, easy kind of art — but also more forgivable if you’re a rock veteran.
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“The Idol” exists because it's powered by the widespread neuroses of digital media. At what point do we put our foot down?
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“The Idol” exists because it's powered by the widespread neuroses of digital media. At what point do we put our foot down?
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Given Dalí’s commitment to surrealism and general wackiness, it's rather unfortunate that “Dalíland” doesn’t dial up the weird factor.
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Given Dalí’s commitment to surrealism and general wackiness, it's rather unfortunate that “Dalíland” doesn’t dial up the weird factor.
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“The movie is so much about looking at your own life and the connections that you have, the inyeon that you have, … to see what is extraordinary about those connections themselves, even though they may seem mundane and average,” Song said in an interview with the Daily Californian.
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“The movie is so much about looking at your own life and the connections that you have, the inyeon that you have, … to see what is extraordinary about those connections themselves, even though they may seem mundane and average,” Song said in an interview with the Daily Californian.
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Tumor’s setlist was fashioned carefully to favor their latest record without feeling inaccessible to those who are more familiar with their past work.
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Tumor’s setlist was fashioned carefully to favor their latest record without feeling inaccessible to those who are more familiar with their past work.
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In “About My Father,” comedian Sebastian Maniscalco casts the patron saint of Italian Americans, Robert De Niro, as his own father — because when you’re a relatively unknown comedian repackaging your already mediocre standup material as a movie, you desperately need something to sell the tickets.
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In “About My Father,” comedian Sebastian Maniscalco casts the patron saint of Italian Americans, Robert De Niro, as his own father — because when you’re a relatively unknown comedian repackaging your already mediocre standup material as a movie, you desperately need something to sell the tickets.
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The resolution of the GoJo merger unspools in the final episode of “Succession” with an exponential absurdity that stuffs every moment of its 90-minute runtime with even more shifting loyalties, power plays and brutal verbal takedowns than we have come to expect.
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The resolution of the GoJo merger unspools in the final episode of “Succession” with an exponential absurdity that stuffs every moment of its 90-minute runtime with even more shifting loyalties, power plays and brutal verbal takedowns than we have come to expect.
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