Charlie Kruse

Paul officially released 'Leak 4-13 (Bait Ones),' an album composed of the same songs published without his permission years ago, on June 1.

Dey’s trademark fragmented and scattered sound becomes united into a more sonorous whole — without losing any of its gorgeous precarity.

The audience shares in the deep joy of carelessness, of letting go of responsibilities with Utsumi. But then, at the end of every episode, his phone rings.

While many of the sketches draw from banal, everyday social encounters, the progress of each sketch is a complete mystery.

“Welcome to Marwen” is first and foremost a story about Hogancamp, while the many women around him simply end up as secondary characters. These half-baked resolutions at the end of the film fail.