Caitlin Keller

The film features a rather intimate storytelling style, making it immensely bingeable; it feels as though a friendship is blossoming between the audience and characters at every moment.

Unlike most award show nominations, the GLAAD award nominees provide a unique introspection into the media that queer people can most easily see themselves reflected in.

It isn’t Corden’s identity that’s at fault for his inauthentic portrayal: It’s his thoughtless performance.

Though “Alligator Mouth, Tadpole Ass” leaves audiences entirely in self-reflection of its content, the production’s poignancy cannot be diminished, even in its multiple interpretations.

From covers of recognizable tunes to lesser-known holiday bops, this playlist can come in handy for when the standard picks become a little too unbearable.

While the film might be nauseating for those expecting a more refined product, it delivers as entertainment to those expecting to be enchanted by a cheery product.

Although nothing is the same this year, carrying on the Christmas spirit through “The Christmas Carol: On Air” helps retain a sense of normalcy for audiences.

Both directors used the virtual format as a chance to innovate, infusing their own perspectives into the works they directed and transforming the material into something new.

“Unstable Connection,” exists as a unique yet insightful way of highlighting what UC Berkeley students are feeling right now.

San Jose Stage Company’s “Night of the Living Dead” seamlessly turned the 1968 classic horror film into a virtual theater production based on the film’s original screenplay, perfect for closing out the spooky season.