Asha Pruitt

It’s election night, and while America is casting its votes for a right wing populist with fascist tendencies, a run-of-the-mill establishment Democrat or a delusional independent whose slogan is simply “Enough Already!”, ATN is making calls in the newsroom that challenge the very notion of democracy.

Salted freedom fries, mini sliders with toothpick flags and terrible biodynamic German wine: “Tailgate Party” finds the Roy siblings setting fire to American democracy.

The bulls—t brothers head west for a product launch at Waystar Studios in Los Angeles, with a new disastrous plan to price out Lukas Matsson by overinflating the value of the Waystar's newest pitch.

“Kill List” is ripe with subtext upon subtext, with power seesawing rapidly between the siblings, the old guard and the Swedes.

After last week’s Earth-shattering death, the tightly contained “Honeymoon States” delivers sky high stakes and searing one-liners as the siblings come home to a haunted house full of “roses and rotting corpses.”

“Connor’s Wedding,” the third episode in the fourth and final season of “Succession,” is a deceptively innocent title for the most emotionally devastating hour of “Succession” yet.

The Amazon Prime Video miniseries reduces this complex narrative to a cheap cycle of sex and drugs, falling into dull romance tropes and glamorous hedonism that ultimately lacks substance.

Creator Rian Johnson, the mind behind “Knives Out” and “Glass Onion,” subverts mystery tropes left and right for a refreshing take on the genre that toys with audience expectations.

For a musical project that created an infinite cartoon universe for its four fictional members to inhabit, Gorillaz shows surprisingly little evolution in style or substance on Cracker Island.

Returning to its snowy Utah milieu after spending two years online, the 2023 Sundance Film Festival amplified an array of stories from underrepresented voices.