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BERKELEY'S NEWS • JUNE 03, 2023

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Alex Jiménez

Spring 2020 literature and LGBTQ+ media beat

Alex Jiménez is the spring 2020 literature and LGBTQ+ media beat. Previously, she was the fall 2019 Weekender editor and the spring 2019 Weekender assistant editor. Before that, she was the fall 2018 arts columnist and summer 2018 LGBTQ+ media beat. She joined the Daily Cal in fall 2017 as a Weekender staff writer and became an arts reporter in spring 2018.

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when I was a child I always had this vision of us as glass.  someone tapped too hard one day              and we shattered
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when I was a child I always had this vision of us as glass.  someone tapped too hard one day              and we shattered
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Maybe it’s just my unwitting obsession with sad men singing about sad things, but maybe it’s something more than that.
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Maybe it’s just my unwitting obsession with sad men singing about sad things, but maybe it’s something more than that.
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If you haven’t heard of or listened to The National, its eighth album I Am Easy to Find probably isn’t a good place to start.
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If you haven’t heard of or listened to The National, its eighth album I Am Easy to Find probably isn’t a good place to start.
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The Bay Area Book Festival embodies the communal aspect of literature — its potential to bridge differences and highlight commonalities.
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The Bay Area Book Festival embodies the communal aspect of literature — its potential to bridge differences and highlight commonalities.
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On March 24 of this year, he turned 100 years old — an event that warranted celebration all around the world, including a birthday party at City Lights.
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On March 24 of this year, he turned 100 years old — an event that warranted celebration all around the world, including a birthday party at City Lights.
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"Each poet sitting next to me here is considering queer pasts, writing from the present afterlives of colonial expansion ... and plotting the queer future."
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"Each poet sitting next to me here is considering queer pasts, writing from the present afterlives of colonial expansion ... and plotting the queer future."
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Why does structural sexism still have a place in a story whose concept is innovative enough that it shouldn’t have to rely on tradition in any way, shape or form?
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Why does structural sexism still have a place in a story whose concept is innovative enough that it shouldn’t have to rely on tradition in any way, shape or form?
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For her, the most rewarding moments are when spectators of her art come to her with a simple reaction, a show of empathy: “I get it.”
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For her, the most rewarding moments are when spectators of her art come to her with a simple reaction, a show of empathy: “I get it.”
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Yet, for all of its narrative failures and restrictions, “September Mourning” still maintains an impressive amount of charm. The humor is always on-beat, meshing incredibly well with the overall aesthetic of the story.
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Yet, for all of its narrative failures and restrictions, “September Mourning” still maintains an impressive amount of charm. The humor is always on-beat, meshing incredibly well with the overall aesthetic of the story.
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